returning for another spastic floor beating with jack tracks and gherkin acid experiments from steve poindexter and jamal moss, aka hieroglpyhic being, this 3rd face of drums ep on mathematics does not disappoint!

it s hard to believe an entire decade has gone by since claude vonstroke first released who s afraid of detroit but believe it or not, we ve reached the 10 year mark of one of the biggest hits of claude s career, and we felt its about time for some fresh takes on the track that helped launch vonstroke and dirtybird. for 10 year anniversary, we tapped into the motor city s outstanding talent pool and enlisted an amazing lineup of detroit artists to help us celebrate. besides claude vonstrokes brand new 2016 remix, we also included mixes from techno icones octave one, minimal techno pioneer marc houle (windsor is close enough!), and the accomplished trio visionquest. not limiting the detroit based artist package to just the music, the haunting release artwork comes to us from michigan illustrator dan may. in addition, a dark david lynch style music video comes from award winning detroit director, anthony ernest garth. whos afraid of detroit remixes,will be released on the 10th anniversary of the movement festival in what city? detroit, of course.

straight after his contribution to the splendid delusions of grandeur compilation and collaboration with sebastien vorhaus aka soul of hex as well as his latest eps on the russian capital bass label and swedish brandy ponty mython is back with a full swung ep packed with cosmic deep house tunes. how to get your life together and succeed sets the pace for the record, bringing together a kaleidoscope of sounds in ponty mythons signature style, soul meets dance floor punch.

1979 roots reggae album reissued on 180 gram vinyl for the first time

oddball space disco tracks compiled from library tracks composed between 1975 and 1978. big tip!! from the early 70s to the mid-80s, this self-taught musician composed about twenty albums of production and library music with generic cover art and titles (out of the way, magical ring, keys of the future, pulsations, more and more, etc.) that evoke interstellar travel. these experimental discs, made with love, humility and rudimentary means, had no ambition other than to accompany other peoples images. by exhuming these obscurities from the dustbin of history, born bad have decided otherwise. archaeologists with an agenda, they seek to give jean pierre decerf the renown he deserves: that of an innovator whose rhythmic, synthetic compositions inspired the harbingers of the french touch (air comes to mind), not to mention some east coast rappers.

we are in the costant research, this is the debut on the misterious artist that goes with the name of judas, not many info about it, we only know that this will set up another standard on your palate.

vinyl only.
owl is a non-profit unofficial label releasing bootlegs, unauthorized re-edit and everything is not licensable for any reason, run by an indefinite art collective growing every day more around the world.

born in sao paulo to a deeply religious family, laercio has been around music all his life - amidst the challenges of daily life, his adventist parents would whip out all sorts of instruments whenever the situation would allow it, introducing a young and curious mind to a wide range of musical expressions. it should come as no surprise, then, that our hero quickly felt at home with notes and bars, choosing the flute as his first weapon of choice which he eagerly studied from the age of seven. even later non-musical career choices always reflected an infatuation with the world of sounds, like his stint as a capoeira teacher, combining martial arts, acrobatics and dance. with such a multi-faceted background in music, the inevitable tinkering with synthesizers and other means of electronic sound generation was rather a question of time than one of ambition, and sure enough we find laercio roaming the parties of the mid-noughties, absorbing the unique melange of styles and scales that inform club culture to this day. in stark contrast to most other rave inductees at the time, however, he never wanted to become a dj: his area of expertise is the performance, not the collecting and curating of other people s releases, and it shows in the unusual fact that laercio has held club residencies as a live electronic musician in venues like sao paulo s the edge without ever so much as touching a record. in these release l_cio has worked with d.o.c. mastermind gui boratto. and the result is music for the dancefloor.

truss & tessela team up on this 5 track monster! tip! coming in on friday, please do not pre-order again, we will contact you. under their respective artist names truss and tessela, brothers tom and ed russell have forged formidable individual reputations as producers. defining tracks such as truss’ ‘kymin lea’ and ‘beacon’ and tessela’s ‘rough 2’ and ‘hackney parrot’ for the likes of r&s, perc trax, and their own poly kicks label, have encapsulated so much of what is exciting and vital in uk underground, electronic music.

ishmael follows up his 2014 debut ep, wolfep026 with his latest offering on wolf. fans of his recent album, sometime in space will not be disappointed. the ep also features soulphiction on remix duties, injecting doldrums with some extra dancefloor pressure.

nice price deal !!! for their summer of seven tracks iso68 have, as usual, recorded many live instruments. we hear drums, guitar, keys, and brass, mixed into two tight tracks which unfold their addiction not at first glance. but after several plays the two pieces by florian zimmer (who also plays with the bands saroos and jersey) and thomas leboeg (member of hamburg?s popband kante) become essential beauties

the excellent field label embarks on a new mini trilogy of eps that will -present a magical journey through modern-day trance.- first up in the series is artefakt with their three track effort the final theory. dutch producers robin koek and nick lapien make up artefakt, and between them they excel at moody voodoo music on labels like delsin. they open this latest ep with the title track, a deep, spacious house roller with subtle pads and gentle acid that perform slow motion acrobatics for nearly ten minutes. it is suspensory, dreamy music that works on the head as well as the heel. moving horizon is then less doleful and introspective but just as deep, with sweeping pads add a sense of scale, busy drums bring the dynamism and icy percussive sounds adding a sense of urgency. last but not least, solaris is a fatter, more physical groove with claps and gloopy bass, acid flashes and trancey pads all fleshing out a lush and deep electro workout. this is heavenly stuff that cannot fail to get inside your head and heart.

the second of two zentrum spinoffs is with us! as with the first, it comes loaded with four remixes. octo octa, vito & druzzi, cooper saver and turbotito, and lemonade all handed in top-notch reimaginings of tracks off jacques renault s debut lp, which came out just under a year ago, and they all somehow manage to be unique unto themselves while also sublimely bleeding into one another. octo octas rendering of mi casa samba serves as a propulsive beginning thats as dark and druggy as it is sharp and focused. vito & druzzis take on faith runs in a similar vein, but in a more stripped-back, drawn-out, and patient sort of way, it is nearly ten minutes long, so this is perhaps not a surprise. the b s remixes are brighter, sunnier, though that s not to say they re not bold. cooper saver and turbotito s redo of words has a certain funky swing to it that, paired with spacey synths and balearic bells and whistles, makes it ideal daytime disco fodder. the lemonade boys close the ep with their vibey take on faith. pads for days, a plump bass, and a focus on the original s sax make you wonder if the song itself somehow got stoned from a couple extra giant bong rips. a fitting way to end both the 12inch and the summer.

yokoo has been slowly gaining a well deserved reputation for quality the past few years. already playing our events and an integral part of our family he first featured one of his productions on last summer s sampler. finally his own solo release sees the beautiful light of day. each track perfectly crafts an atmosphere. each a story unto itself. yokoo enlists friend and multi talented artist retza to add an extra layer of emotion to his already complex musical compositions. the result? a three track ep to not only send you soaring in to space at certain moments but also, at he same, time have you explore organic musical jungles, oceans and deserts of our world and others yet discovered. no one is really sure what that means exactly so why not let the music describe itself.

big mean sound machine is a twelve-piece afrobeat band native to ithaca, new york. they tour 150 days a year and have a large and dedicated following up and down the east coast. still, it is a crime that big mean sound machine is not well known elsewhere. the band’s tremendous sound combines a big band aesthetic while channeling a global sense of musicality. their shows leave fans drenched in sweat from dancing as audiences absorb the west african, caribbean, jazz and funk traditions that big mean sound machine carries forward.

out as a vinyl-only offering on 15th july 2016, gti005 is the first official release from forever, a talent who pulls influence from nostalgic jungle and rave genres, as well as elements from classic house and grime. a1 coarse is a blissful, liquid-like journey that plays on forever s broad range of influences, think haunting melodies mixed with a jungle-like drum foundation for a masterpiece that aligns itself to not one genre. track two invaders is a murkier, spaced-out number with a squelching bass, one for the after-hour sessions. an industrial vibe echoes across invaders five minutes, and the track holds transcendental, meditative quality aligned to forever s 2013 track playfights. turning over to side b, grade 10 invite house icon mr. g to step up for a coarse remix that adds his signature flair to the original, turning coarse into a raw, acid-tinged track

the soul behind these recordings is rama dyushambee. not only a vocalist, mr. dyushambee also plays tenor saxophone too. he even produced, composed and arranged the entire album. the music on here is hard to categorize. the basic feel of the songs is jazz, but you also find a portion of funk and lots of spirituality in them too. if you like your jazz funky - check out this album. if you like your funk jazzy - check out this album. generally, if you like music with soul then you can t go wrong with orbit in space.

mana all nite is another imprint of dj duo manamana. next to their artist focused label kann they established a new vinyl platform. mana3 comes from steppin wolf, a fresh reckless producer that serves a super multifarious emotive 5 track ep. read the not included package insert: best use to fall in love with the cozy dancefloor!

florian kupfer will release his sixth solo ep (and his second for ninja tune s technicolour imprint) on 22nd july 2016. he has released via ron morelli s l.i.e.s. and offshoot russian torrent versions in addition to willie burns w.t. records, rush hour and not forgetting that white label sade bootleg. -unfinished- ep finds the the 28 year old berlin resident in electric form, assembling three smouldering club tracks and one stunning beatless piece built on the foundations of his inimitable improvised hardware jams. ninja tune set up technicolour as a singles label. their output to date includes 12-s by hieroglyphic being, legowelt, nathan melja, ny*ak, kutmah, bnjmn, u, and the first long players on the label by levantis and the aforementioned hieroglyphic being

this is volume two of a two volume set from edit master gay marvine justly called dance floor favorites. these are some of his most sought after unreleased edits that are known for their strong reaction on the dance floor. they cause an instant heat. his perversity shines through the extreme tempo shift of “jungle fever” lifting it up into pure ecstatic dance floor action, with all the eroticism of “french kiss” and all the spanish funk groove of barrabas. we could to listen to the hypnotic “goodnight” for hours on end, finally seeing light on vinyl. gay marvine’s “what’s happening bro” is not an edit per se, it’s what happens when you cross that line and it becomes house. this is perhaps his greatest tribute to moodymann and his sets at better days,hotbox and la dolce vita. the ep ends with the ever dirty “bump man” and gay marvine’s unique feverish take the needy anthem. gay marvine might just be the frankie knuckles of edits, because his music will keep you warm in the cold, a true musical heater.

hq limited 12inch with translucent pp sleeve, black inner amd 30x30 cm poster inlay. theres not much known about farbror resande mac but them hailing from stockholm, sweden and having released a couple of eps on aficionado and back to balearics. frm do masterfully crafted, slow paced (pacific) coastal sound with all the ingredients for making you long for more. steady bass pulses, mechanical percussion, punctual punches make waves from underwater to hyperspace - seductively deep and almost see through light. or how our dear friends from mighty testpress.org blog would put it: an idealized promise of the only true cure.atalanta and vi oever manhattan compliments frms first full length album, coming in the autumn here on horisontal mambo horisontal mambo is a new sublabel from full pupp.

22as eleventh release comes from sterling styles. a newcomer to the 22a roster, sterling offers two cuts of classic garage, originally recorded in 1998. if you know about 22a then youll know what to expect. limited to 500 this is a release not to be missed.

after establishing his unique voice on our somewhere01 compilation, kiani & his legion is back on something happening somewhere to expand his vision. he has gathered his own sonic palette to transform the underlying consciousness. being alone with the self, it may seem ones own mind is the only one certain to exist. not sure if youre the one whos watching from the ground or hanging upside down, the peaks secretly form a unity beyond their separateness.

right after having dropped „connaisseur“, the epic collaboration with olderic, on our 10 year anniversary release, peter pardeike now fnally presents his solo debut. living in cologne, peter is mostly known for his collaborations with marcus worgull on innervisions. his own musical infuences can easily be traced to his club socialization in the 90ies. with the title “love supreme“, peter pardeike delivers a monster of a track, which we are sure you will not forget. when the remarkable vocoder choir comes in for the frst time, you will feel it reverberate though your entire body, making it stick in you mind forever...

killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 1 features some of the future key artists and crosses over from electro to acid and back.

killekill megahits ii is a jubilee release. but it s not only that. it s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release - looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 2 is chicago-inspired and is jacking like a rabbit.

killekill megahits ii is a jubilee release. but it’s not only that. it’s also milestone and turning point in the killekill history, because with this release killekill closes one chapter, and opens up another. we will start several new labels over the next months, so this is a hello and a goodbye release – looking back and forward at the same time. the full compilation got a lot of coverage and the tour was very successful, and so we will release the records as single releases as well. part 3 features the straightest tracks of the compilation. detroit-ish techno from alex cortex, stomping acid from blake baxter, the prince of techno and modern techno by ksp and cassegrain & tin man – 4 bomb tracks for the dancefloors.

following up on his exceptional 12&#8243,,,, debut numb (figure 73) earlier this year, seatoc mass delivers another ep of finely tuned and highly diversified techno deep space explorations. starting on an atmospheric note, cipher’s intricate melody winchingly twists its way under your skin while airy breakbeats faintly hint at the producer’s uk roots. in contrasting fashion the bleep- driven lost lakes sticks to its metronomic stomp, making for a simple yet utterly effective tool. choral howls and detuned synths merge on transform for a gentle yet trance-inducing introduction to the flipside. emotive highlight rain then sees the manchester producer sonically recreate a thundering storm, complete with flashing strokes of lightning and a downpour of celestial scale. the breakbeat returns on closer flying buttress, albeit now at much faster tempo, exploring the common ground between futuristic grime and techno. blending all these different styles and their distinctive tropes in a coherent statement is a feat not easily accomplished. yet here seatoc mass pulls it off again, developing further the confines of both his personal and the label’s sound.

the secret of 12 o clock is the second em records release by spaniard juan alberto arteche guel s finis africae project. it collects six pieces from three 1980s albums, pieces not released on -a last discovery: the essential collection, 1984-2001!

tip!! conga radio, the canadiana club collab of producers jex opolis and roberto, offers two smooth and jazzy house cuts designed for the heart, mind, foot and soul. the a-side of -right beside you- features melodic vocals and smooth chords, while the b-side -party smokes- plays out with space, atmosphere and groove. a tag team not to be missed!

nice price deal !!! hot chips alexis taylor likes the kdms. and the kdms likes alexis. so why not join forces. alexis called his friend justus koehncke from kompakt and here is the result. the new single of londons new indie disco duo the kdms - wonderman. including a cover version by alexis taxlor & justus köhncke. and a remix by tiedye from sweden. from the upcoming the kdms debut album. coming in may 2012.

with releases on frustrated funk, shipwrec and many more discerning imprints - seattle-based electro artist 214 (two fourteen) aka chris roman has made a welcome, if not inevitable debut on cpu - with 4 tracks of icy beats, bass and bleeps, fans of erp and plant43 will relate.

this essential, obscure masterpiece is not to be missed.

athens of the north had a few of these lying around after pressing the henry stone lp so as its a quiet month i thought we would share the remaining copies of this holy grail, be quick, not many and no repress. 200 copies.

the contemporaly house tracks which combine his established heavy groove, smoothness & beautiful essence! -secret floor 002- misterious, raw feeling & the roop of vocal sample are intertwined together to be miraculous sounds-saturday night- melodious and uplifting house track-o-nature- unique sound quality made by mpc & the trumpet sample greatly melt together -sky lounge- slow down...dope track with a spice of japanese sample blackoly profile:dj, beatmaker, and sound producer in tokyo, japan. born in 1981, his parents taught him to play in a forest and make what he wants to play by himself. started his dj carrer when he was 19.the first track he played was -bucktown- by smif-n-wessun. in the ensuing year he started making tracks under the name of dj shibaki. kept releasing his own tracks by casset tapes and cd-r and released -document-(12-) in 2006. after that he released mix cd -abstract- and -gravity-, and he has done around 100 of play in a year with his style of going back and forth freely among various sounds evolving abstract, breakbeats and hiphop.in 2009 he played together with dday one, dorian concept without knowing who they are. when he played together with dj kensei, he got a meaningfull comment -do you always do such a mix?- in 2010 he became immersed in creating tracks with mpc2000xl which was not not used for a long time, and started doing dj & live only with his own tracks by using cd-r & kaoss pad. thereafter he started making house tracks under the name of blackoly influenced by house djs & dancers whom he has played with since 2000s. the various music in his background & the dancer s excitement on the floor like -house- atmosphere greatly melted together and it led to build his unique sounds. in 2013 he released -dirty channel-(12-), in 2014 -dr.circus-(cd), and his work continues to this time.

pressed on a clear blue wax. limited down to 500 copies, no repress!!!
editor s kutz is here, right on summertime wearing it s volume 8 swimsuit, while the label boss seems to be on vacation too, since this is the first record of the series with no -vinyladdicted- track included. a side begins with the silver rider and his blue-sky edit on an odyssey s hit, giving to it a more uptempo and danceable character, while the italian duo marsupials drops a heavenly disco-house track with a chunky beat and a beautifully loading string line, called just like heaven. both sun-drenched, with vibes melting down slowly onto the sand like the butter under the hot sun! flip-side could be the sunset side with stereo 12 da flow closing your afternoon session or, why not, kicking things off for a late night party! with a deep and soulful take on an ashford & simpson s classic track, this one can stick in your mind for long, while napoleon s luv passage has a hypnotic process with repetitive loops and fat kicks that put you in a sweet nu-disco trance. but, beware, there s a break waiting for you!

firstly, a huge thanks to everyone for supporting us so far - 2016 has seen the dext label continuing to go from strength to strength, with our callahan and mella dee ep s backed with remixes from hodge and endian which have been been super well received. now for the third ep of the year from our resident comedian bodyjack. bodyjack has been an integral part of dext since he remixed dubspeeka on our 2nd release and headlined our label takeover of privilege in ibiza last summer. we are very excited about his return to the label with this 3-tracker (and our first full solo artist ep!), and we think you re going to dig this... the title track cobra effect is one of those tracks you aren t going forget in a hurry. intense and brooding, we are hard-pushed to categorise this, but layers of sinister bass coupled with dark, driving snares and eerie synth work culminate masterfully, making this the perfect dext track. hydra effect lifts the vibe with a straight up peak-time house jam with a sting in the tail. a raw-but-infectious bassline winds along under bodyjack s signature killer drum programming, before blasting off with something you aren t going to expect. rounding the ep off is slowine effect: a proper dancehall workout (reminiscent of bodyjack s earlier work) and a real cross-genre party starter. the most upbeat of the 3 tracks, this again takes all the elements of what we love about the music from the past and cleverly works them into something special for the rave. and that s not all for bodyjack on dext this year - he will be back with a one-off ltd record called -hot shot-, backed with a very special remixer...but more on that soon!

express you. expresso. self. selfo. a glimpse in the past. thinking about stuff. in general. changes and experiments in/of energy. off/on. why not dig your own rave? substances altering your mind. creating an understanding. in general. beat, base, chords who / what is sandro? defining an era, changing - on the verge to the next one. in and off balance. having a jazzy moment. rudolf in the maze. we are happy to present to you pp017. consum.

new years deal - 10 years of thema is not a milestone we take lightly, and we have absolutely no intention of slowing down. in fact we will be celebrating with a string of releases commemorating this accomplishment starting with this ep and going through to our 50th release with an all star line up ready for battle. sometimes there is a sound that lifts you so high you can’t possibly come down. its the kind of sound that many strive for, but few can ever reach. uk mainstay aubrey has been hitting this pinnacle for years through his releases on renowned imprints such as metroplex, ostgut ton, and skudge, as well as his very own solid groove records. * the reflection* ep comes as no exception. as only a dj and producer of his stature can do, aubrey goes above and beyond to take the listener through a spectrum of moods that culminate in a rounded and complex experience. from the uplifting, fast paced pads in *peligro 45* to the disorienting rhythmic voodoo of * roger doger* and peak energy drive of * train to the fire* there is a sense of direction and otherworldly ambiance that will take any dance floor to the place it needs to be

berlin duo soukie & windish are releasing their second long-player work ‘loom’ on their home label ‘ursl records’ this coming may. an album for the moment, looming its way through our moves with its dreamy, escapist moods. loom carries accents of dirty micro-pop while managing to be both upbeat and deep simultaneously. it is an album of tension — pushing out through every carefully selected drum and every distant, distorted synth line. it marks the moment when you decide not to go home.

ltd summer 2016 deal.. its a really clever go lucky move that the never resting glückskind founders michael klang and jürgen kirsch got samuel knob on board. the valencia-based producer really knows how twist those knobs to come up with the craziest noises. his skills, honed during his residency times at barraca music and narita club, are perfectly put into use with this crafty release that should have people dancing on the roof tops--naked. samuel, a drummer who jumpstarted his musical career at the age of sixteen in a pop-rock band, is exploring the outer realms of percussive beats, incorporated in a tight yet not at all minimal sounding house construct. inspired by his father who is also a drummer and programmer, he does not hesitate to foray into unknown dimensions, making this eleventh glückskind release a very special piece of black gold

alex suarez is part of a new breed of producers based out of brooklyn carving out their own unique sound experimenting in the world of raw primordial electronics. under the name cienfuegos, he has prior releases on brooklyn s primitive languages imprint as well as the france s unknown precept label-with his new -lost in god s country- ep we see him debut on the new york centered bank records. through the four tracks cienfuegos harkens back to the time of early industrial music, not far off from the early transmissions of spk or even hinting at sounds akin to e.g. oblique graph. suarez has a knack for developing textures and tension in his music sewing it all together with plodding rhythms and the occasional creeper vocal. heavyweight stuff coming most highly recommended.

after the sensation caused by his last release, elchinsoul comes back strong with another battle cry into the darkness on cellaa music. in his usual nonchalant style, you can expect deep driving arrangements. through the precisely applied sub-basses and the unobtrusive synth pads, a first class sound-performance is guaranteed. made to fill dark basements, clubs and also festivals with sound. the ep contains 4 tracks and includes a masterpiece of a remix by sven jaeger, and a special vinyl only track, which will not be availeable digitally. if you have listened to the full ep, there only will be 4 words to describe it: this is dope shit!

we have become big fans of paul ursin at the noir music headquarter as he just keeps creating fantastic music from his studio in sicily. he gained lots of heavyweight dj support from his ep on nm2 in may and we expect him to take you by storm with this (his first) release on noir music. if mr. ursin is not already on your radar let this “sinthesis vol.1” convince you. no more words ... let the music speak for itself.

the dutch artist releases music at a rate of knots – there’s been at least nine albums under the legowelt name alone now, and he has over 30 different aliases, all of which interact in weird, wonderful ways. his music has appeared on labels as disparate as unknown to the unknown and cocoon, and he’s got a reputation as a real studio wizard – not only due to the hardware in the studio, but the sample packs and plugins that he gives out for free online. on top of that, he’s about as unpretentious as it’s possible to get.
here institute of the overmind, which was made live in a session filmed for fact tv, gets the vinyl treatment backed with a monster 90s trance re-work from photonz

not so many things to say about this five all killer, no filler trax - except that this antonio ep is the perfect business card for the pescara guy in order to confirm himself as one of the most talented young-bloodied, rawness manufacturer around right now. from 130 bpm ghetto acid madness to a surf-house summer anthem such as -untitled- and the electro standout track -clara-. fasten your seat-belts and enjoy this ride provided by unintelligent trax outsourcing, milan.

what happens when you bring together two percussionists who are well-established in the electronic music scene and commission them to produce four tracks exclusively with percussion instruments-with the only requirement being not to deliver any overtly thought-out nerd music? the answer has been provided by sven kacirek and thomas klein on this release.

underground slick yet daring chicago veteran emcee gilead7 of the windy city super collective tomorrow kings has completed yet another audio diamond to accompany the already existing brilliance of his nationally and internationally distributed collection of uniquely-created albums. known and respected by his scattered international cult following for not only his record collaborations and stage sharing with everyone from vast aire and a.g. but also his sonically experimental and lyrically razor-edged abrasive -art rap- for over 12 years, gilead has etched an indelible place for himself in indie hip-hop, combining aggressive universe creation and quirky nerdom in ways that only he could pull off

the inimitable ld nero with his first outing for running back. best-known for his merits on trelik and a poetic sound which is distinctively his own, ld nero immerses himself in a rare breed of deep house music that isn’t classicist, yet dateless, emotional but not kitschy, and most of all meditative without drowsiness. devoid of any second thoughts, these are three tracks made for those wee hours in the morning that may never end.